Orlando Gibbons (1583-1625)

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2024A Legacy Reborn 1620-162520240614Orlando Gibbons's life throws a light on the political turbulence affecting Britain in the early 17th century. As King James VI and I struggled to establish the concept of British identity, his court was blessed with one of England's most talented musicians of the time, Orlando Gibbons.

Today, Donald Macleod looks at the considerable turmoil in the royal court, whilst Gibbons consolidated his position as the leading musician in the land.

Fantasia No 1 for the Great Double Bass

The Rose Consort of Viols

Fantasia No 2 a 6

The Hunt's Up (Peascod time)

Phantasm

The Second Service (Morning): Te Deum

Peter Harvey, baritone

Rogers Covey-Crump, tenor

Choir of Magdalen College, Oxford

Fretwork

Bill Ives, conductor

Fantasia No 4 a 6

Attacca Quartet

The Cryes of London I & II

Theatre of Voices

Paul Hillier, director

Blessed are all they that fear the Lord

Oxford Clerks

David Wulstan, director

Produced by Iain Chambers for BBC Audio Wales & West

By 1623 Orlando Gibbons had consolidated his position as the leading musician in the land.

By 1623 Orlando Gibbons had consolidated his position as the leading musician in the land, but there was considerable turmoil in the court.

202401What Is Our Life? 1583-160320240610Orlando Gibbons's life throws a light on the political turbulence affecting Britain in the early 17th century. As King James VI and I struggled to establish the concept of British identity, his court was blessed with one of England's most talented musicians of the time, Orlando Gibbons.

Today, Donald Macleod looks at Gibbons's early life in Cambridge and Oxford, where he grew up amongst a highly musical family. But it was Orlando who blazed the trail, making the jump from provincial music-making to the royal court in London.

The Silver Swan

Cambridge Singers

John Rutter, conductor

O clap your hands

Out of the Deep

Oxford Camerata

Jeremy Summerly, director

A Fancy (for Double Organ)

Jonathan Hardy, organ

Behold, thou hast made my days

We praise thee, O Father

Magdalena Consort

Fretwork

Peter Harvey, director

What Is Our life?

Rudolfus Choir

Ralph Allwood, conductor

I am the resurrection

Hosanna to the Son of David

Stile Antico

How art thou thralled

Farewell all joys

Now each flowery bank of May

Consort of Musicke

Produced by Iain Chambers for BBC Audio Wales & West

Gibbons's early life in Cambridge and Oxford, amidst Britain's political turbulence.

202402The Court Musician And The British Problem 1603-161220240611Orlando Gibbons's life throws a light on the political turbulence affecting Britain in the early 17th century. As King James VI and I struggled to establish the concept of British identity, his court was blessed with one of England's most talented musicians of the time, Orlando Gibbons.

Today, Donald Macleod looks at Gibbons's life in the royal household of the newly crowned king, James VI of Scotland and I of England. Gibbons's ascent seems to have been a confident and steady one, from unpaid Gentleman Extraordinary in 1603 to senior organist just before James's funeral in 1625.

Great King of Gods

Robert Quinney, organ

Westminster Abbey Choir

James O'Donnell, conductor

Pavan a 6

The Rose Consort of Viols

Pavan and galliard Lord Salisbury

Glenn Gould, piano

Fantasies in Three Parts Compos'd for Viols

No 6, No 8, No 9

London Baroque

This is the Record of John

Fantasia No 10 in C Major

Jeffrey Thomas, tenor

University of California Chamber Chorus

Berkeley Festival Consort of Viols

John Butt, director

Ne'er let the Sun

Yet if that age

Trust not too much fair youth

Consort of Musicke

Lift Up Your Heads

Oxford Camerata

Jeremy Summerly, director

Produced by Iain Chambers for BBC Audio Wales & West

Gibbons joins the royal household of the newly crowned King James.

Gibbons joins the royal household of the newly crowned king, James VI of Scotland and I of England.

202403The New Band In Town 1612-161720240612Orlando Gibbons's life throws a light on the political turbulence affecting Britain in the early 17th century. As King James VI and I struggled to establish the concept of British identity, his court was blessed with one of England's most talented musicians of the time, Orlando Gibbons.

Today, Donald Macleod looks at the new musical group formed by King James's only surviving son, the Prince of Wales, the future Charles I.

Fantasia No 1 for Two Trebles

The Rose Consort of Viols

Nay let me weep

Consort of Musicke

William Byrd

Fair Britain Isle

Gérard Lesne, countertenor

Ensemble Orlando Gibbons

Directed by Wieland Kuijken

Fantazia of Four Parts (MB 20/12)

Laurence Cummings, harpsichord

O God, the king of glory

Oxford Camerata

Jeremy Summerly, director

In Nomine for 5 Viols

Fantasia No. 2 for 3 Viols

L'achéron

Glorious and Powerful God

See, see the word is incarnate

Fretwork

His Majestys Sagbutts & Cornetts

Magdalena Consort

Peter Harvey

O Lord, in thy wrath

Choir of Clare College, Cambridge

Conducted by Timothy Brown

Produced by Iain Chambers for BBC Audio Wales & West

Gibbons joins the new musical group formed by the Prince of Wales, the future Charles I.

Gibbons - firmly established at the Jacobean Court - joins the new musical group formed by the Prince of Wales, the future Charles I.

202404\u2018the Best Finger Of That Age' 1617-162020240613Orlando Gibbons's life throws a light on the political turbulence affecting Britain in the early 17th century. As King James VI and I struggled to establish the concept of British identity, his court was blessed with one of England's most talented musicians of the time, Orlando Gibbons.

Today, Donald Macleod looks at the last - eventful - decade of Gibbons's short life, and we meet the notorious George Villiers, who rose from lowly second son of a minor gentleman from Leicestershire to become the Duke of Buckingham, becoming the only English Duke beyond the Royal Family itself.

Drop, drop, slow tears (arr. P. Dearmer)

Gabrieli Consort and Players

Paul McCreesh, director

Do not repine, fair sun – Parts I and II

Sing unto the Lord, O ye saints

Magdalena Consort

Fretwork

Peter Harvey, director

O all true faithful hearts

The Sixteen

Harry Christophers, director

Fantasia a 3 with Double Bass Viol

Fantasia for 6 Viols

Go from my Window

L'achéron

Almighty and everlasting God

Magnificat (Short Service)

Oxford Camerata

Jeremy Summerly, conductor

Great Lord of Lords

Choir of Christ Church Cathedral, Oxford

Stephen Darlington, conductor

Produced by Iain Chambers for BBC Audio Wales & West

Donald Macleod looks at the last - eventful - decade of Gibbons's short life.

202405 LASTA Legacy Reborn 1620-162520240614Orlando Gibbons's life throws a light on the political turbulence affecting Britain in the early 17th century. As King James VI and I struggled to establish the concept of British identity, his court was blessed with one of England's most talented musicians of the time, Orlando Gibbons.

Today, Donald Macleod looks at the considerable turmoil in the royal court, whilst Gibbons consolidated his position as the leading musician in the land.

Fantasia No 1 for the Great Double Bass

The Rose Consort of Viols

Fantasia No 2 a 6

The Hunt's Up (Peascod time)

Phantasm

The Second Service (Morning): Te Deum

Rogers Covey-Crump, tenor

Bill Grayston, tenor

Choir of Magdalen College, Oxford

Fretwork

Peter Harvey, conductor

Fantasia No 4 a 6

Attacca Quartet

The Cryes of London I & II

Theatre of Voices

Paul Hillier, director

Blessed are all they that fear the Lord

Oxford Clerks

David Wulstan, director

Produced by Iain Chambers for BBC Audio Wales & West

By 1623 Orlando Gibbons had consolidated his position as the leading musician in the land.

By 1623 Orlando Gibbons had consolidated his position as the leading musician in the land, but there was considerable turmoil in the court.