Music And The Jews

Episodes

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01I've Heard There Was A Secret Chord2014030920141124 (R3)NORMAN LEBRECHT presents the first programme in a three-part series examining the complex relationship between music and Jewish identity.

Spanning thousands of years, from King David and the creation of the Psalms, to composers writing today including STEVE REICH and Robert Saxton, Norman uncovers a wealth of fascinating stories about the role music has played at some of the key points in Jewish history.

Today, the acclaimed Ladino singer Yasmin Levy explains why music and memory became so intertwined when the Jews were expelled from Spain at the end of the 15th century, rabbi Shlomo Levin tells the amazing story of how a marching tune sung by Napoleon and his troops in 1812 became an integral part of Yom Kippur, the holiest day of the year for Jewish people, and the musicologist Gila Flam has some surprising revelations about the music sung by the Jews in the Nazi concentration camps.

With contributions from rabbi Yehoshua Engelman, the composer STEVE REICH, Professor Edwin Seroussi from the Hebrew University of Jerusalem, the musicologist and and founder of the Boston Camerata Joel Cohen, the violinist Eyal Shiloach, rabbi Shlomo Levine, and Dr Gila Flam, Head of the Music Department at the National Library in Jerusalem.

Producer Emma Bloxham.

Another chance to hear the first programme in a three-part series examining the complex relationship between music and Jewish identity, presented by NORMAN LEBRECHT.

First broadcast in March 2014.

Norman Lebrecht explores the role music has played at some key points in Jewish history.

02There's A Place For Us2014031620141201 (R3)Norman Lebrecht presents the second of three programmes examining the complex relationship between music and Jewish identity.

Spanning thousands of years, from King David and the creation of the Psalms, to composers writing today including Steve Reich and Robert Saxton, Norman uncovers a wealth of fascinating stories about the role music has played at some of the key points in Jewish history.

Women, in the Jewish religion, are not meant to sing, and yet Jewish women have shrugged off that inhibition to become some of the most powerful figures in the popular imagination. We hear from some of the most successful women singing in Israel - and indeed on the world stage - today, including the eighth-generation Yiddish singer Myriam Fuks and Achinoam Nini, the latest in a long line of iconic Jewish women of Yemenite origin. Michael Grade remembers his grandmother's passion for Sophie Tucker, and the promoter Harvey Goldsmith explains why Jewish women have had such a huge impact on music over the past half century. We also hear from Dr Tova Gamliel about the extraordinarily powerful role of women in the religious practices of Yemen.

With contributions from Rabbi Shlomo Levin, Dr Gila Flam, the Yiddish singer Myriam Fuks, former Chairman of the BBC, Michael Grade, promoter Harvey Goldsmith, Ladino singers Kohava and Yasmin Levy, the Yemenite singer Achinoam Nini, and Dr Tova Gamliel of Bar-Ilan University in Tel Aviv.

Producer Emma Bloxham.

Norman Lebrecht traces the history of female Jewish singers.

03It Ain't Necessarily So2014032320141208 (R3)Norman Lebrecht presents the last of three programmes examining the complex relationship between music and Jewish identity.

Spanning thousands of years, from King David and the creation of the Psalms, to composers writing today including Steve Reich and Robert Saxton, Norman uncovers a wealth of fascinating stories about the role music has played at some of the key points in Jewish history.

Taking as his starting point the moment at which the Jews were finally able to enter the Western classical music tradition in a professional capacity, in today's programme Norman investigates the idea of a 'Jewish thumbprint' in the music of Mendelssohn and others. Leading Israeli composer Noam Sheriff and conductor Michael Tilson Thomas talk about why Mahler's Jewishness speaks so strongly to them through his symphonies, and Michael Grade explains how the Jewish art of being one step ahead impacted so strongly on the entertainment industry in the twentieth century.

With contributions from the musicologist and founder of the Boston Camerata, Joel Cohen, the writer David Conway, the composers Robert Saxton, Gideon Lewensohn and Noam Sheriff, Professor Susan Wollenberg of Oxford University, the conductor Michael Tilson Thomas and former Chairman of the BBC, Michael Grade.

Producer Emma Bloxham.

Norman Lebrecht on the idea of a 'Jewish thumbprint' in Mendelssohn's and others' music.

03 LASTIt Ain't Necessarily So2014032320141208 (R3)NORMAN LEBRECHT presents the last of three programmes examining the complex relationship between music and Jewish identity.

Spanning thousands of years, from King David and the creation of the Psalms, to composers writing today including STEVE REICH and Robert Saxton, Norman uncovers a wealth of fascinating stories about the role music has played at some of the key points in Jewish history.

Taking as his starting point the moment at which the Jews were finally able to enter the Western classical music tradition in a professional capacity, in today's programme Norman investigates the idea of a Jewish thumbprint in the music of Mendelssohn and others. Leading Israeli composer Noam Sheriff and conductor Michael Tilson Thomas talk about why Mahler's Jewishness speaks so strongly to them through his symphonies, and MICHAEL GRADE explains how the Jewish art of being one step ahead impacted so strongly on the entertainment industry in the twentieth century.

With contributions from the musicologist and founder of the Boston Camerata, Joel Cohen, the writer David Conway, the composers Robert Saxton, Gideon Lewensohn and Noam Sheriff, Professor Susan Wollenberg of Oxford University, the conductor Michael Tilson Thomas and former Chairman of the BBC, MICHAEL GRADE.

Producer Emma Bloxham.