Musician and comedian Mitch Benn takes a journey back to the 1970s in search of the symphonic narrative concept album.
Armed with little more than a harpsichord and a copy of The Hobbit, musician and comedian Mitch Benn fearlessly uncovers the myths and legends of the symphonic concept album.
From Rick Wakeman's 'Journey to the Centre of the Earth' to Jeff Wayne's 'The War of the Worlds', musicians in the seventies somehow decided that it was a good idea to retell classic tales in the form of symphonic concept albums.
Classical music met rock to spawn towering monuments to pretension and excess: gigantic gatefold covers, sleeve notes longer than a 19th century novel, and - surely its defining feature- portentous narration delivered by some of our finest thesps.
For a generation of acned youth weaned on Tolkien and Moorcock, these epic compositions were masterpieces, a symphonic escape from dreary mid-70's discontent and economic gloom.
They sold millions, but until recently, languished forgotten in the vinyl collections of middle-aged men, gathering dust in the post-punk apocalypse.
But with The War of the Worlds now filling stadiums world wide thirty years on, and Rick Wakeman's two tudor-tastic Six Wives of Henry VIII concerts selling out at Hampton Court last year, can Mitch be discovering a symphonic rock renaissance?
Produced by Jackie Curthoys and Dave Dodd
A Whistledown Production for BBC Radio 4.
Mitch Benn celebrates the symphonic narrative concept album.