Episodes
Episode | Title | First Broadcast | Comments |
---|---|---|---|
01 | Schmelzer, Biber, Corelli | 20130331 | As part of Baroque Spring, Katie Derham introduces a live concert of baroque music from Tredegar House in Wales, performed by Brecon Baroque. This concert is given in one of the 'finest Restoration houses' in country, created in the mid 17th century for the Morgan family, one of whom had formally greeted Charles II on his return. This concert reflects the musical world of this period. Charles II, had spent his formative years in exile in France and had been greatly impressed by the string bands he had heard there. It's from around this time - the mid to late 1600s - that the violin family really came into its own. This concerrt draws on music by three of the most significant baroque composers for strings of the period: Johann Heinrich Schmelzer, Heinrich Ignaz Franz Biber and Arcangelo Corelli. The second half of the concert features theatre music from slightly later, by the greatest living composer from these shores, Henry Purcell. Johann Heinrich Schmelzer: Balletto a 4 'Fechtschule' G major Heinrich Ignaz Franz Biber: Sonata a 6 'Die Pauern- Kirchfahrt' B flat Major Biber: Sonata XI from 'Sonatae tam arms quam aulis servientes (1676) Schmelzer: Sonata per tre violini Arcangelo Corelli: Concerto Grosso no 3 in C minor Brecon Baroque: violins: Rachel Podger, Bojan Cicic, Lucy Russell, Emilia Benjamin viola: Jane Rogers, Emilia Benjamin cello/gamba: Jonathan Manson violone: Jan Spencer harpsichord: Marcin Swiatkiewicz. Brecon Baroque performs music by Schmelzer, Biber and Corelli at Tredegar House in Wales. Series of concert recordings |
02 | Purcell | 20130331 | As part of Baroque Spring, Katie Derham introduces a live concert of baroque music from Tredegar House in Wales, performed by Brecon Baroque. This concert is given in one of the 'finest Restoration houses' in country, created in the mid 17th century for the Morgan family, one of whom had formally greeted Charles II on his return. This concert reflects the musical world of this period. Charles II, had spent his formative years in exile in France and had been greatly impressed by the string bands he had heard there. It's from around this time - the mid to late 1600s - that the violin family really came into its own. This concerrt draws on music by three of the most significant baroque composers for strings of the period: Johann Heinrich Schmelzer, Heinrich Ignaz Franz Biber and Arcangelo Corelli. The second half of the concert features theatre music from slightly later, by the greatest living composer from these shores, Henry Purcell. Henry Purcell: Theatre music from the Fairy Queen: Prelude g minor Hornpipe g minor Rondeau Bb major Prelude to Act V First Act Tune: Jig Pavan in B flat Song Tune 'If Love's a sweet passion Dance of the Fairies G major Fantazia upon one Note a 5 Sonata a 4 no 6 in g minor 3 Parts upon a Ground Theatre music from King Arthur: Introduction and Air (from the Second Act) Fairest Isle Passacaglia in g minor Brecon Baroque: violins: Rachel Podger, Bojan Cicic, Lucy Russell, Emilia Benjamin viola: Jane Rogers, Emilia Benjamin cello/gamba: Jonathan Manson violone: Jan Spencer harpsichord: Marcin Swiatkiewicz. Brecon Baroque performs theatre music by Henry Purcell at Tredegar House in Wales. Series of concert recordings |