Elizabeth Maconchy (1907-1994)

Episodes

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202401Destined For Greatness20240513Maconchy explodes onto Britain's musical landscape, dazzling teachers, contemporaries and some influential gatekeepers.

Elizabeth Maconchy is surely the greatest composer of string quartets ever to emerge in the British Isles; and yet her music is often ignored in favour of lesser works by more famous British composers. So says Maconchy's biographer, Erica Siegel, who joins Kate Molleson to explore the life and works of this key figure in Britain and Ireland's musical story. Across the week, Kate and Erica set out to show us why Maconchy deserves much more of our attention. We'll hear stories of personal crises, public apathy and outrageous institutional sexism, and how Maconchy met each challenge with characteristic grace and perseverance. Her works fizz with invention and purpose and she described her own music as “impassioned argument ?.

Today, Kate and Erica see Maconchy shine as a star student at the Royal College of Music and her music is selected to be performed at the Proms. She confides to her friend: “I want to be very gay – or else quite wild – but a rather dull middle course is awful, don't you think? ?

String Quartet No 2: IV. Allegro

Hanson String Quartet

Clarinet Quintet: III. Lento, IV. Allegro molto

Thea King, clarinet

The Britten String Quartet

Four Shakespeare Songs: No 1, Come Away, Death

James Geer, tenor

Ronald Woodley, piano

The Land - A Suite for Orchestra

BBC Scottish Symphony Orchestra, conducted by Odaline de la Martinez

Concertino No 2 for Piano and String Orchestra

Simon Callaghan, piano

BBC National Orchestra of Wales, conducted by Martyn Brabbins

Maconchy explodes onto Britain's music scene, dazzling her teachers. With Kate Molleson.

Maconchy explodes onto Britain's musical landscape, dazzling teachers, contemporaries and some influential gatekeepers. With Kate Molleson.

202402Rising Star20240514Maconchy faces some harsh realities as she leaves college and seeks to launch her career.

Elizabeth Maconchy is surely the greatest composer of string quartets ever to emerge in the British Isles; and yet her music is often ignored in favour of lesser works by more famous British composers. So says Maconchy's biographer, Erica Siegel, who joins Kate Molleson to explore the life and works of this key figure in Britain and Ireland's musical story. Across the week, Kate and Erica set out to show us why Maconchy deserves much more of our attention. We'll hear stories of personal crises, public apathy and outrageous institutional sexism, and how Maconchy met each challenge with characteristic grace and perseverance. Her works fizz with invention and purpose and she described her own music as “impassioned argument ?.

Today, Kate and Erica follow Maconchy as she sets out to capitalise on her spectacular Proms debut. A sudden health emergency threatens to derail her plans and Maconchy is frustrated when concert promoters, including the BBC, seem reluctant to take on her music. Could her gender have anything to do with it?

String Quartet No 1: IV. Presto

Hanson String Quartet

Concertino for Piano and Chamber Orchestra: II. Andante sostenuto

Clélia Iruzun, piano

BBC Scottish Symphony Orchestra, conducted by Odaline de la Martinez

Oboe Quintet

George Caird, Oboe

Simon Blendis, violin

Alison Dods, violin

Louise Williams, viola

Jane Salmon, cello

Sonata for Viola and Piano

David Owen Norris, piano

String Quartet No 3

Maconchy faces some harsh realities as she works to build a career. With Kate Molleson.

Maconchy faces some harsh realities as she leaves college and seeks to launch her career. With Kate Molleson.

202403Digging For Britain20240515Maconchy is forced to shift her priorities from music to the war effort.

Elizabeth Maconchy is surely the greatest composer of string quartets ever to emerge in the British Isles; and yet her music is often ignored in favour of lesser works by more famous British composers. So says Maconchy's biographer, Erica Siegel, who joins Kate Molleson to explore the life and works of this key figure in Britain and Ireland's musical story. Across the week, Kate and Erica set out to show us why Maconchy deserves much more of our attention. We'll hear stories of personal crises, public apathy and outrageous institutional sexism, and how Maconchy met each challenge with characteristic grace and perseverance. Her works fizz with invention and purpose and she described her own music as “impassioned argument ?.

Today, Britain goes to war. Musical activities in London grind to a halt, and several important performances of Maconchy's music are cancelled. Meanwhile, our composer struggles to cope with a new born baby, and a home that now sits under the flight path of the German bombers.

Nocturne

BBC National Orchestra of Wales, conducted by Tadaaki Otaka

Dialogue for Piano and Orchestra: II. Allegro moderato & IV. Presto

Martin Jones, piano

BBC Concert Orchestra conducted by John Andrews

Two Dances from Puck Fair

BBC Concert Orchestra, conducted by Barry Wordsworth

String Quartet No 5: II. Presto & III. Lento espressivo

Bingham String Quartet

Concertino for Bassoon and String Orchestra

Laurence Perkins, bassoon

City of Birmingham Symphony Orchestra conducted by William Goodchild

Maconchy is forced to shift her focus from music to the war effort. With Kate Molleson.

Maconchy is forced to shift her priorities from music to the war effort. With Kate Molleson.

202404Departures20240516Depressed and disenchanted, Maconchy is forced to contemplate her artistic choices and decide if it's time to make a change.

Elizabeth Maconchy is surely the greatest composer of string quartets ever to emerge in the British Isles; and yet her music is often ignored in favour of lesser works by more famous British composers. So says Maconchy's biographer, Erica Siegel, who joins Kate Molleson to explore the life and works of this key figure in Britain and Ireland's musical story. Across the week, Kate and Erica set out to show us why Maconchy deserves much more of our attention. We'll hear stories of personal crises, public apathy and outrageous institutional sexism, and how Maconchy met each challenge with characteristic grace and perseverance. Her works fizz with invention and purpose and she described her own music as “impassioned argument ?.

Today, Maconchy scores a hit with her patriotic overture celebrating Queen Elizabeth's coronation. Nevertheless, she find herself afflicted by a creeping disillusionment. She decides that a drastic change of direction is needed to renew her creative spark and seeks inspiration in a surprising place. Many of her friends are baffled when she unveils her new opera: a bawdy sex comedy!

String Quartet No 7: IV. Scherzo I

Bingham String Quartet

Proud Thames Overture

London Philharmonic Orchestra, Vernon Handley

The Sofa (excerpts)

Nicholas Sharratt, tenor (Dominic)

Sarah Tynan, soprano (Monique)

George von Bergen, baritone (Edward)

Independent Opera

Independent Opera Ensemble, conducted by Dominic Wheeler

The Departure (excerpts)

Louise Poole, mezzo-soprano (Julia)

Håkon Vramsmo, baritone (Mark)

Serenata Concertante

Manoug Parikian, violin

London Symphony Orchestra, conducted by Vernon Handley

Depressed and disenchanted, Maconchy decides to change direction. With Kate Molleson.

Depressed and disenchanted, Maconchy is forced to contemplate her artistic choices and decide if it's time to make a change. With Kate Molleson.

202405 LASTNo Escape20240517As she reaches retirement age, Maconchy admits that 'composing is a life sentence'.

Elizabeth Maconchy is surely the greatest composer of string quartets ever to emerge in the British Isles; and yet her music is often ignored in favour of lesser works by more famous British composers. So says Maconchy's biographer, Erica Siegel, who joins Kate Molleson to explore the life and works of this key figure in Britain and Ireland's musical story. Across the week, Kate and Erica set out to show us why Maconchy deserves much more of our attention. We'll hear stories of personal crises, public apathy and outrageous institutional sexism, and how Maconchy met each challenge with characteristic grace and perseverance. Her works fizz with invention and purpose and she described her own music as “impassioned argument ?.

Today, Kate and Erica examine how Maconchy refused to let old age quench her creative fire. They assess her profile today, and discuss why she remains a composer whose legacy is yet to be properly recognised and appreciated.

There is no rose

Choir of St John's College Cambridge, directed by Andrew Nethsingha

Trittico

The Sheba Sound

Epyllion

Raphael Wallfisch, Cello

South-west German Chamber Orchestra Pforzheim, conducted by William Boughton

Morning, Noon and Night

Lucy Wakeford, harp

String Quartet No 13 'Quartetto Corto

Mistry Quartet

The ageing Maconchy admits that 'composing is a life sentence'. With Kate Molleson.

As she reaches retirement age, Maconchy admits that 'composing is a life sentence'. With Kate Molleson.

As she reaches retirement age, Maconchy admits that “composing is a life sentence ?.

The ageing Maconchy admits that 'composing is a life sentence\u201d. With Kate Molleson

As she reaches retirement age, Maconchy admits that “composing is a life sentence ?. With Kate Molleson