|Friends And Family||20120302|
In the last of this week's programmes Donald Macleod talks to Sally Beamish about works that are connected with her friends and family, from works commissioned by two supportive patrons who have become like 'musical parents' to her, to those that have been requested by friends who are concert performers.
|Poetry And Literature||20120229|
In conversation with the composer at her home in Scotland, Donald Macleod looks at Sally Beamish's works that have been directly inspired by poetry and literature. They discuss her songs setting words by the 14th century Persian poet Hafez, an orchestral work evoking the Arctic landscape that inspired Mary Shelley, and a cello concerto that takes as its starting point the 'River' poems of Ted Hughes. One of Beamish's major works, the Concerto no. 2 for Viola and Orchestra, is based on the story told by a 9th century Anglo-Saxon poem, 'The Seafarer', and features the notated calls of sea birds mentioned in the poem.
Sally Beamish talks to Donald Macleod about the effect of moving to Scotland on her music, and the strong sense of culture and community she found there. The lively and responsive musical scene have fed into her work, and she has drawn on the inspiration of Scotland's landscape and its musical traditions, from Scottish fiddle playing to music for bagpipes.
This week Donald Macleod visits Sally Beamish in her home near Loch Lomond, to talk to her about her work. Sally has been composing since she was a child but only set out on the path of professional composer after moving to Scotland in 1990, having already established a successful career as a viola player. Today she discusses her earliest commissions and how moving to Scotland, and motherhood, influenced her decision to become a composer.
|02||Music Of Others||20120228|
Sally Beamish talks to Donald Macleod about some of the pieces she has written that are influenced by, or based on, works of other composers, from Bach to Tippett. Two of today's works take Beethoven or Brahms as a starting point, but incorporate jazz techniques. She discusses her recent decision to learn more about jazz, and how this has affected her composing style.