Past, The [bab]

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0120150907

0120150907

Today - The party assembles.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0120150907

Today - The party assembles.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0120150907

Today - The party assembles.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0220150908

Today: the children make a discovery and seeing something she shouldn't, leaves Harriet disturbed.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother with his new wife, meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs

0320150909

0320150909

Today: Pilar confides in Harriet and Kasim finds the children useful allies in his romantic campaign.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0320150909

Today: Pilar confides in Harriet and Kasim finds the children useful allies in his romantic campaign.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0320150909

Today: Pilar confides in Harriet and Kasim finds the children useful allies in his romantic campaign.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0420150910

0420150910

Today: Ivy loses her temper and keeps her secret close and Kasim repays Alice with a joke.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0420150910

Today: Ivy loses her temper and keeps her secret close and Kasim repays Alice with a joke.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0520150911

0520150911

Today: The children observe more strange adult behaviour and Harriet experiences something new.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0520150911

Today: The children observe more strange adult behaviour and Harriet experiences something new.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0620150914

0620150914

Today it is 1968 and Jill, mother to Harriet, Roland and Alice, is arrives unexpectedly at her parents home, children in tow.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0620150914

Today it is 1968 and Jill, mother to Harriet, Roland and Alice, is arrives unexpectedly at her parents home, children in tow.

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0720150915

Today, a moment's indiscretion or time for a new direction - the past influences the present as

Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0820150916

0820150916

Today we return to the present as romance blooms, under the children's watchful eyes, and the stakes are rising. Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0820150916

Today we return to the present as romance blooms, under the children's watchful eyes, and the stakes are rising. Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0920150917

0920150917

Today: Passions boil over with disastrous consequences as Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

0920150917

Today: Passions boil over with disastrous consequences as Sian Thomas reads Tessa Hadley's powerful and haunting new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.

1020150918

Today Finding the lost and living without love as Sian Thomas reads the final, tender part of Tessa Hadley's new novel, a beautifully observed portrait of a family and the change wrought by time across the generations.

Three middle-aged sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. Under the idyllic surface, there are immediate tensions. Secrets, misunderstandings and passion play out as the characters shift and reappraise and a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.

While the siblings circle each other, and the adolescents approach each other, the children watch and come to their own conclusions.

Tessa Hadley is one of Britain's finest writers, an acute observer of character, time and place and the most published short story writer in the New Yorker in recent years.

The reader is Sian Thomas

The abridger is Sally Marmion

The producer is Di Speirs.