Interpretations

An emotional response, an intellectual, studied reading, a gut feeling or a spontaneous reaction? How does an artist develop and reach their own unique interpretation of a particular work? In this new three part series various artists discuss how they reach their own interpretation.

Episodes

SeriesEpisodeTitleFirst
Broadcast
RepeatedComments
20040510

In the first of three programmes examining how different artists interpret particular works, cellists Steven Isserlis and Ralph Kirshbaum discuss Bach's Fifth Cello Suite.

20040517

Most of the great classical actresses have played the part of Rosalind in Shakespeare's As You Like It, so how do they reach their own interpretation?

Juliet Stephenson took the role for the RSC in 1985, Nina Sosanya in 2003. They discuss the phenomena of love at first sight and female friendships as they reveal how they came to appreciate the power of one of the theatre's most

popular heroines.

2005092220050926

The series in which two performers compare their own interpretation of the same work.

The tenors Robert Tear and John Graham Hall reflect on love, lust, megalomania and marriage as they discuss their approach to the role of Herod in Richard Strauss' opera Salome.

The series in which two performers compare their own interpretation of the same work.

The tenors Robert Tear and John Graham Hall reflect on love, lust, megalomania and marriage as they discuss their approach to the role of Herod in Richard Strauss' opera Salome.

Afternoon

Morning

Evening

2005092920051003

The series in which two performers compare their own interpretation of the same work.

2/3. For John Caird, his desire to work with the actor Simon Russell Beale was the main Influence in his wish to direct Macbeth. Max Stafford Clarke wanted to direct a play about Africa. In this programme, they discuss their Interpretations of Shakespeare's shortest and most popular tragedy.

2/3. The series in which two performers compare their own interpretation of the same work.

John Caird, Max Stafford Clarke and Simon Russell Beale talk about Macbeth.

Afternoon

Morning

Evening

2005100620051010

3/3. Conductors Marin Alsop and Jane Glover discuss the factors that influence their interpretation of Brahms' Requiem. For Jane it is a piece forever associated with 9/11. [Rpt of Thu 11.30am]

3/3. Conductors Marin Alsop and Jane Glover discuss the factors that influence their interpretation of Brahms' Requiem. For Jane, it is a piece associated with 9/11. [Rptd Mon 12.15am]

Afternoon

Morning

Evening

0101Bach's Fifth Cello Suite2003122320040510

In the first programme cellists Steven Isserlis and Ralph Kirshbaum discuss Bach's fifth cello suite.

Steven believes the suites may tell the story of the crucifixion - does this effect the way he plays? Whatever, both agreed that the longer they play them the more complex they appear.

0101Bach's Fifth Cello Suite2003122320040510

In the first programme cellists Steven Isserlis and Ralph Kirshbaum discuss Bach's fifth cello suite.

Steven believes the suites may tell the story of the crucifixion - does this effect the way he plays? Whatever, both agreed that the longer they play them the more complex they appear.

0102Rosalind2003123020040517

Most of the great classical actresses have played the part of Rosalind in Shakespeare's As You Like It, so how do they reach their own interpretation?

Juliet Stephenson took the role for the RSC in 1985, Nina Sosanya in 2003.

They discuss the phenomena of love at first sight and female friendships as they reveal how they came to appreciate the power of one of the theatre's most popular heroines.

0102Rosalind2003123020040517

Most of the great classical actresses have played the part of Rosalind in Shakespeare's As You Like It, so how do they reach their own interpretation?

Juliet Stephenson took the role for the RSC in 1985, Nina Sosanya in 2003.

They discuss the phenomena of love at first sight and female friendships as they reveal how they came to appreciate the power of one of the theatre's most popular heroines.

0103 LASTFidelio2004010620040524

Opera directors Sir Peter Hall and Graham Vick discuss their interpretation of Beethoven's only opera, Fidelio.

How do the political and social issues of the time influence their staging? Is it important to stay true to the composer's intentions but how do they interpret what those were?

0103 LASTFidelio2004010620040524

Opera directors Sir Peter Hall and Graham Vick discuss their interpretation of Beethoven's only opera, Fidelio.

How do the political and social issues of the time influence their staging? Is it important to stay true to the composer's intentions but how do they interpret what those were?

0201Salome2005092220050926

The tenors Robert Tear and John Graham Hall reflect on love, lust, megalomania and marriage as they discuss their approach to the role of Herod in Richard Strauss' opera Salome.

0201Salome2005092220050926

The tenors Robert Tear and John Graham Hall reflect on love, lust, megalomania and marriage as they discuss their approach to the role of Herod in Richard Strauss' opera Salome.

0202Macbeth2005092920051003

For John Caird, his desire to work with the actor Simon Russell Beale was the main Influence in his wish to direct Macbeth.

Max Stafford Clarke wanted to direct a play about Africa.

In this programme, they discuss their Interpretations of Shakespeare's shortest and most popular tragedy.

0202Macbeth2005092920051003

For John Caird, his desire to work with the actor Simon Russell Beale was the main Influence in his wish to direct Macbeth.

Max Stafford Clarke wanted to direct a play about Africa.

In this programme, they discuss their Interpretations of Shakespeare's shortest and most popular tragedy.

0203 LASTBrahms' Requiem2005100620051010

Conductors Marin Alsop and Jane Glover discuss the factors that influence their interpretation of Brahms' Requiem.

For Jane, it is a piece associated with 9/11.

0203 LASTBrahms' Requiem2005100620051010

Conductors Marin Alsop and Jane Glover discuss the factors that influence their interpretation of Brahms' Requiem.

For Jane, it is a piece associated with 9/11.