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01The View From The Gate2014092920140930Twenty-five years after the fall of the Berlin Wall, Neil visits the Brandenburg Gate.
Neil MacGregor, Director of the British Museum, begins his series examining 600 years of German history through objects, with a reflection on Germany's floating frontiers.
Twenty-five years after the fall of the Berlin Wall, which led to the reunified modern Germany, Neil visits the Brandenburg Gate.
In November 1989 the East Berlin crowds gathered there and cheered and then poured into West Berlin as the Berlin Wall fell and the world changed. It was there in July 2014 that a huge crowd celebrated Germany's victory in the World Cup in Brazil. In 1950 the first major demonstration was held there to protest against Soviet dominance in Eastern Europe: the crowd pulled down the red flag that flew over the Brandenburg Gate and demanded free elections. And in 1806 Napoleon made his triumphal entry into Berlin through the Brandenburg Gate, after humiliating the Prussian army.
From this focal point of modern Germany, Neil begins a 30 part series which reveals the profound influence of Germany's history, culture and inventiveness across Europe, as well as the catastrophic events of the 20th century.
02Divided Heaven2014093020141001Neil MacGregor examines the story of the two Germanys, East and West, created in 1949.

Neil MacGregor examines the story of the two Germanys, East and West, created in 1949, through objects including a wet suit used in an escape attempt from the East in 1987, which was later used as a training device by the Stasi, the East German secret police.
Neil also focuses on another Stasi training device, a model of Friedrichstrasse Station, a border crossing point in the divided Berlin, and reflects on the life and work of the East German writer Christa Wolf.
Her novel Der Geteilte Himmel - The Divided Heaven, or The Divided Sky - was published in 1963, two years after the Berlin Wall went up. It made Christa Wolf's reputation, and has been seen as the definitive account of the divergence of the two Germanys, as seen from the East. Yet Wolf's own position within the East German state was not simple, and she later questioned whether her own memories were reliable.
Producer Paul Kobrak.
03Kafka, Kant And Lost Capitals2014100120141002Neil MacGregor visits Kaliningrad, now in Russia, but formerly the German city Konigsberg.

Continuing the week's theme of Germany's floating frontiers, Neil MacGregor visits two cities now beyond Germany's present borders, but which played important roles in Germany's intellectual and literary history.
Kaliningrad, on the Baltic, became part of the Soviet Union in 1945, and is now part of Russia. But for centuries it was Königsberg, a major Prussian city, and birthplace of the philosopher Immanuel Kant - and so central to the intellectual history of Germany.
Neil also visits the Czech city of Prague, once home to a large German-speaking community, which included Franz Kafka, one of the most acclaimed writers in the German language.
Today neither Russian-speaking Kaliningrad nor Czech-speaking Prague are in any sense German - but what is their place within the memories of Germany?
Producer Paul Kobrak.
04Strasbourg - Floating City2014100220141003Neil MacGregor visits Strasbourg, now in France but also a key city in German history.

Neil MacGregor visits Strasbourg, now in France, but also a city with a key place in German history, culture and precision engineering, as revealed by a model of the cathedral clock, now in the British Museum.
When the writer Goethe stood in front of Strasbourg's Cathedral, he discovered two things: the transporting, transforming force of Gothic architecture and one aspect of what it meant to him to be German.
Producer Paul Kobrak.
05Fragments Of Power2014100320141004Neil MacGregor discovers how coins reveal the range and diversity of the Holy Roman Empire
Neil MacGregor discovers how coins reveal the range and diversity of the Holy Roman Empire, with around 200 different currencies struck in the different territories of Germany.
It's an extraordinarily immediate and physical way of grasping the complexity and the confusion of the Holy Roman Empire, because every coin represents a kind of sovereignty. To be able to strike a coin you needed to be the ruler in your territory - and every coin speaks of a particular state, with its particular laws and a whole set of traditions.
Producer Paul Kobrak.
06Luther And A Language For All Germans2014100620141007 (R4)Neil MacGregor examines how Luther created the modern German language.

Neil MacGregor continues his series with a week of programmes with a focus on the things which bind Germans together - ranging from the importance of the great German writer Goethe, and the significance of the Grimm brothers' fairy tales, to the long-standing history of German beer and sausages.
He begins with the story of how Martin Luther created the modern German language, through his translation of the Bible.
Luther is often, in German history, seen as the Great Divider. His attacks on his opponents were pitiless, not least his writings against the Jews. But he is also, unquestionably, a great Uniter - almost single-handedly he created the modern German language which, in the centuries that followed, proved a unifying force during times of destruction and disintegration.
Producer Paul Kobrak.
07Fairy Tales And Forests: The Grimms And Caspar David Friedrich20141007R4*20141008
NeilMacGregoronhowtheGrimmsandpainterCasparDavidFriedrichshapedGermanidentity
ContinuingaweekofprogrammeswithafocusonthethingswhichbindGermanstogether,NeilMacGregorrevealshowthefairytalescollectedtheGrimmsandthelandscapeartofCasparDavidFriedrichplayedavitalroleinreestablishinganidentityforGermanspeakingpeoplewhohadbeendefeatedbyNapoleon.
WhiletheGrimmswerestudyingtheGermanlanguageandtheinnerGermannesspresentinthefolktalestheycollected,FriedrichusedlandscapeastheexternalvisionofbeingGerman.
ProducerPaulKobrak.
Neil MacGregor on how the Grimms and painter Caspar David Friedrich shaped German identity
08One Nation Under Goethe20141008Neil MacGregor focuses on Germany's great national poet Goethe, who was born in 1749.
Continuing his focus on the things which bind Germans together, Neil MacGregor examines the life and work of Goethe, the greatest of all German poets: "There is a case for arguing that if Americans are one nation under God, the Germans are one nation under Goethe. And there is no doubt that it was Goethe, more than anyone else, who made German a language read - and spoken - by educated Europe."
Producer Paul Kobrak.
08One Nation Under Goethe2014100820141009 (R4)Neil MacGregor focuses on Germany's great national poet Goethe, who was born in 1749.
09The Walhalla: Hall Of Heroes2014100920141010 (R4)Neil MacGregor visits the Walhalla, a 19th-century temple to German-ness, built in Bavaria
Neil MacGregor visits the Walhalla, one of the most idiosyncratic expressions of national identity in 19th century Europe - a temple to German-ness, modelled on the Parthenon, built high above the Danube in Bavaria. It honours almost 200 people, from early rulers and kings to composers, poets and scientists.
Producer Paul Kobrak.
10One People, Many Sausages2014101020141011 (R4)Neil MacGregor focuses on two great emblems of Germany's national diet: beer and sausages.
Neil MacGregor focuses on two great emblems of Germany's national diet: beer and sausages. He visits Munich to find out how regional specialities represent centuries of regional history and diversity.
Producer Paul Kobrak.
11The Battle For Charlemagne20141013Neil MacGregor visits Aachen cathedral to examine the legacy of Charlemagne (c. 747-c. 814) - was he a great French ruler, or was he Charles the Great, a German? And what is the significance of a very fine replica of the Imperial Crown?
Producer Paul Kobrak.
11The Battle For Charlemagne20141013Was Charlemagne a great French ruler, or was he Charles the Great, a German?
11The Battle For Charlemagne2014101320141014 (R4)Was Charlemagne a great French ruler, or was he Charles the Great, a German?
12Riemenschneider: Sculpting The Spirit20141014R4*20141015
NeilMacGregorfocusesonthesupremelimewoodsculpturesofRiemenschneider(c14601531).
NeilMacGregorfocusesonthereligioussculpturesofRiemenschneider(c14601531),whosereputationasanartisthassteadilyrisen.Heisseenasasupremesculptor,workinginapeculiarlyGermanmedium,limewood,butarticulatingthesensibilitiesofacontinent.
AndNeilMacGregorrevealswhy,asthewarcametoanendin1945,theNobelPrizewinningwriterThomasMannidentifiedRiemenschneiderasamoralandpoliticalhero.
ProducerPaulKobrak.
Neil MacGregor focuses on the supreme limewood sculptures of Riemenschneider (c1460-1531).
14Iron Nation2014101620141017 (R4)Neil MacGregor focuses on 19th-century uses of iron, from jewellery to the Iron Cross.
151848: The People's Flag And Karl Marx20141017Black, red and gold become the colours of Germany, and Karl Marx publishes a manifesto.
Neil MacGregor reflects on the events of 1848, when black, red and gold became the colours of the flag for a united Germany, and Karl Marx and Friedrich Engels published The Communist Manifesto.
Producer Paul Kobrak.
151848: The People's Flag And Karl Marx2014101720141018 (R4)Black, red and gold become the colours of Germany, and Karl Marx publishes a manifesto.
19From Clock To Car: Masters Of Metal2014102320141024 (R4)Neil MacGregor focuses on the long tradition of German metalwork, from clocks to cars.

Neil MacGregor focuses on the long tradition of German metalwork, from finely-engineered clocks to the Volkswagen Beetle. German gold and silversmiths were established as the best in the world, but it was for the making of scientific instruments that Germany's workers of the other metals were especially renowned. They worked across a whole range of disciplines at the highest level, combining academic, scientific and practical skills with mathematics and creative artistry.
Producer Paul Kobrak.
20Bauhaus: Cradle Of The Modern2014102420141025 (R4)Neil MacGregor focuses on the Bauhaus school of art and design, founded in Weimar in 1919.
21Bismarck The Blacksmith2014102720141028 (R4)Neil MacGregor charts the career of Otto von Bismarck (1815-98), known as the Iron Chancellor: he argued that the great questions of the day should be decided by 'iron and blood'.
Bismarck was disliked and feared by foreigners, and reviled by liberals at home for his authoritarianism, but among many sections of the German population, he was a hero.
At his death, monuments were erected across the whole country by public subscription, but Bismarck could also be brought into your own home. Small statues of Bismarck came in many guises, but few are more striking than the little bronze and plaster figure belonging to the German Historical Museum in Berlin, showing Bismarck the Blacksmith. Bald-headed, sleeves rolled up, wearing a leather apron and wielding his hammer, the middle-aged Bismarck is at his forge, the trusty village blacksmith.
Producer Paul Kobrak.
Neil MacGregor charts the career of Otto von Bismarck, known as the Iron Chancellor.
22Kathe Kollwitz: Suffering Witness2014102820141029 (R4)Neil MacGregor focuses on the art of Kathe Kollwitz, witness to the suffering of war.
Neil MacGregor focuses on the art of Käthe Kollwitz (1867-1945), who expresses the loss and suffering of war, especially after the death of her younger son Peter at the front in 1914.
Neil MacGregor argues that she is one of the greatest German artists. Like no other artist of the time, Kollwitz gave voice to the overwhelming sense of personal loss felt by ordinary Germans - the loss of a whole generation, the loss of political stability and of individual dignity.
Producer Paul Kobrak.
23Money In Crisis20141029Neil MacGregor on the emergency money created to replace metal coins, and hyperinflation.
Neil MacGregor examines the emergency money - Notgeld - created during World War One and its aftermath. Small denomination coins began to disappear because their metal was worth more than their face value. People hoarded them or melted them down. Paper notes replaced coins, but as cities produced their own money, there was also currency made from porcelain, linen, silk, leather, wood, coal, cotton and playing cards.
He also focuses on the crisis of hyperinflation in the early 1920s. At its peak, prices doubled every three and a half days, and in 1923 a 500 million mark note might buy a loaf of bread.
Producer Paul Kobrak.
23Money In Crisis2014102920141030 (R4)Neil MacGregor on the emergency money created to replace metal coins, and hyperinflation.
24Purging The Degenerate2014103020141031 (R4)Neil MacGregor focuses on how the Nazis attacked art they viewed as degenerate.
Neil MacGregor examines how the Nazis attacked art they viewed as 'entartet' - degenerate.
He charts how Goebbels, Hitler's propaganda minister, led a process designed to purify all German culture, including books, music, paintings and pottery.
The programme focuses on a vase created by Grete Marks, with an evident debt to Chinese ceramics, and a loose brush-splashed glaze suggestive of modernist painting. Goebbels condemned this vase in his newspaper Der Angriff - The Attack. Grete Marks, who was Jewish and had trained at the Bauhaus, left Germany for England.
Producer Paul Kobrak.
25At The Buchenwald Gate2014103120141101 (R4)Neil MacGregor visits Buchenwald, one of the earliest and largest concentration camps.
Producer Paul Kobrak.
26The Germans Expelled2014110320141104 (R4)Neil MacGregor focuses on the forced movement of more than 12 million Germans after 1945.
Neil MacGregor focuses on a small hand-cart to tell the story of the forced movement of more than 12 million Germans, who fled or were forced out of Central and Eastern Europe after 1945.
For many, the only way of transporting their possessions was a hand-cart, as they walked to parts of Germany they had never seen before.
And Neil also reflects on the 1949 Berlin staging of Brecht's play Mother Courage, examining a model of the production's set. Fiona Shaw, who has played the title role, discusses how the image of Mother Courage pulling her cart, amidst the devastation of war, became one of the most memorable stage pictures of the 20th century.
Producer Paul Kobrak.
27Out Of The Rubble2014110420141105 (R4)Neil MacGregor talks to a woman who cleared rubble from the streets of Berlin in 1945.

Neil MacGregor talks to a Trümmerfrau, a woman who cleared rubble from the streets of Berlin in 1945, and focuses on a sculpture by Max Lachnit, a portrait of a Trümmerfrau made from hundreds of pieces of rubble.
Neil also examines the role the launch of the Deutsch Mark played in the re-building of Germany.
Producer Paul Kobrak.
28The New German Jews2014110520141106 (R4)Neil MacGregor discusses why Germany has the fastest-growing Jewish population in Europe.

After concentration camps like Buchenwald and extermination camps like Auschwitz, it seemed that the story of Jews in Germany must come to a full stop at the end of the war. Why would any Jew in 1945, or in 1965 for that matter, see any part of their future in Germany? But remarkably Germany today has the fastest-growing Jewish population in Western Europe.
Neil MacGregor visits a synagogue in Offenbach, near Frankfurt, which was inaugurated in 1956 and has been greatly enlarged in the years since then.
Producer Paul Kobrak.
29Barlach's Angel2014110620141107 (R4)Neil MacGregor focuses on Ernst Barlach's sculpture Hovering Angel, a unique war memorial.
Neil MacGregor focuses on Ernst Barlach's sculpture Hovering Angel, a unique war memorial, commissioned in 1926 to hang in the cathedral in Güstrow.
Producer Paul Kobrak.

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